Sunday, June 10, 2018

Event 3: The Postgenomic Condition: Justice, Knowledge, Life After the Genome

Dr. Jenny Reardon introducing her talk
For my third event, I attended a talk presented by Dr. Jenny Reardon, entitled “The Postgenomic Condition: Justice, Knowledge, Life After the Genome.” Dr. Reardon is a professor at UC Santa Cruz whose research focuses on how questions about identity, justice, and democracy can be found integrated within scientific ideas and practices, especially in genomic research during the modern era. Her talk was based on a book that Dr. Reardon herself authored, entitled The Postgenomic Condition: Ethics, Justice, Knowledge After the Genome, which examined science and society following the Human Genome Project. Both her book and talk sought to analyze what it means to have sequenced the entire human genome, particularly concerning questions about value and justice that were raised after reaching this milestone achievement.

Dr. Reardon began her talk by introducing her latest book, as well as her 2005 book Race to the Finish: Identity and Governance in an Age of Genomics, which examined the genetic meaning of race. She also defined what she meant by the “postgenomic condition,” explaining that after the Human Genome Project, our thinking about the meaning of our genes and the genomic differences between humans changed. Although the Human Genome Project resulted in a wealth of information, now the problem lies in making meaning out of this information and how we should understand and use it. As Craig Venter describes this challenge, “Watson argued that our goal was to work out the sequence and let future generations of scientists worry about understanding it” (Venter 110). Thus, Dr. Reardon seeks to analyze the state of our contemporary condition and how we should aim to move forward.

Dr. Reardon speaking about an image of chromosome 1
Part of Dr. Reardon’s talk that I found particularly interesting was her description regarding one of the images in her book that illustrated how complex genetic sequencing can be. Dr. Reardon explained that the image depicted thousands of reads of a part of chromosome 1 that was associated with autism. She likened sequencing this segment to the arduous task of putting together a puzzle with one million pieces that are all purple. Thus, Dr. Reardon explained that by sequencing, one essentially adds barcodes to each of the short reads so they can be distinguished and put back together. This characterization of genetic sequencing reminded me of how science is essentially art, as well as how artistic imagery can be applied to gain an understanding of science. As Thomas Kuhn describes, science can be thought of as puzzle-solving, and sequencing in particular offered genomic puzzles (Kuhn 36).

Dr. Reardon described several studies and projects, such as the International HapMap Project, as examples of the attempts made to solve these puzzles and the challenges faced in the process. In essence, the “trouble concerns the fact that the ‘truths’ of the modern scientific world view … will no longer lend themselves to normal expression in speech and thought” (Arendt 3-4). Sequencing data is difficult to understand, and adding to that obstacle is the fact that thinking about the human genetic sequence is closely tied to ideas about human differences, race, and labeling. In the end, Dr. Reardon emphasized the difference between speech and talk, delineating that what we need is not talk about genetics, but rather speech. While talk implies a one-sided delivery, speech requires interactions with those who are different from you, thereby fostering collectiveness and togetherness. This distinction was intriguing to me, as I had always considered talk and speech to mean the same thing, but Dr. Reardon’s call to action imbued my understanding of these activities with new context. I am glad I had the opportunity to attend this talk, as it not only related to my interest in genetics, but also expanded my perspective on how we can make sense of and speak about this complex topic as humans.

Selfie with Dr. Reardon answering audience questions in the background

References


Arendt, Hannah. The Human Condition. Chicago, IL, The University of Chicago Press, 1958.

Kuhn, Thomas S. The Structure of Scientific Revolutions. Chicago, IL, The University of Chicago Press, 1962.

Reardon, Jenny. The Postgenomic Condition: Ethics, Justice, Knowledge After the Genome. Chicago, IL, The University of Chicago Press, 2017.

Venter, Craig. A Life Decoded: My Genome, My Life. New York, NY, Penguin Group, 2007.

Sunday, June 3, 2018

Unit 9: Space + Art

The "pale blue dot" that is Earth

Space is truly the final frontier, the epitome of limitlessness and the boundlessness of imagination and creativity. Along with this comes the realization that Earth represents only a tiny fraction of the realities and possibilities of the universe. This understanding is illustrated by the “pale blue dot” image taken from space, in which Earth appears as just a pale blue dot. As Carl Sagan describes, “Look again at that dot. That's here. That's home. That’s us” (Sagan 6). The size of our reality is creatively represented in Powers of Ten, which zooms in and out by magnitudes of ten, starting from the human scale (Eames). This visual representation of the relative sizes of everything that we know, and all that we do not, compels us to realize how small we really are, as well as the difference that a change in perspective can make.

As such, our curiosity and desire to understand this vast unexplored expanse is only logical. It is interesting to consider however that this exploration of space initially began, in part, as a political statement (Vesna). The idea that all our space-based knowledge and creations originated as a response to the Cold War illustrates the impact that sociocultural factors can have on the progress of science and art.

Illustration of the space elevator
Within our pursuit to understand space, the fusion of science and art, and their influence on each other, can be observed. One of the most intriguing examples is the space elevator (Vesna). Now science fiction is not just fiction – the ideas authors come up with can form the basis for real scientific applications. Scientists can draw from the creativity of artists to bring novel ideas into actual practice. This duality also goes the other way around, with artists taking inspiration from scientific concepts to create works that represent and expand the knowledge and perspectives we hold. For instance, the Dancing on the Ceiling exhibition draws from the scientific concept of gravity to explore ideas such as transcendence, going beyond the science to give us a new way to view our world (Forde). The Mars Patent project takes this to a new level, with the installation of an interplanetarian exhibition on Mars (van Oldenburg and Reiche), expanding our understanding of artistic and cultural exchange to the scale of the universe. With the vast expanse of space open for us to explore and build upon, there truly are no limits to what we can know and create. 

Art piece based on concept of zero gravity

References

Britten, Sean. “Pale Blue Dot.” 2SER, https://2ser.com/pale-blue-dot/pale-blue-dot/. Accessed 3 June 2018.

Eames, Charles and Eames, Ray. Powers of Ten. YouTube, uploaded by Eames Office, 26 Aug 2010, https://www.youtube.com/watch?v=0fKBhvDjuy0.

Forde, Kathleen. “Dancing on the Ceiling: Art & Zero Gravity.” Rensselaer Polytechnic Institute, http://zerogravity.empac.rpi.edu/. Accessed 3 June 2018.

Guo-Qiang, Cai. “Desire for Zero Gravity.” Cai Guo-Qiang, http://www.caiguoqiang.com/projects/desire-zero-gravity. Accessed 3 June 2018.

Sagan, Carl. Pale Blue Dot: A Vision of the Human Future in Space. New York, Random House Publishing Group, 1994.

Templeton, Graham. “60,000 miles up: Space elevator could be built by 2035, says new study.” ExtremeTech, https://www.extremetech.com/extreme/176625-60000-miles-up-geostationary-space-elevator-could-be-built-by-2035-says-new-study. Accessed 3 June 2018.

Vesna, Victoria. “Space Exploration + Art.” YouTube, uploaded by uconlineprogram, 29 July 2013, https://www.youtube.com/watch?v=2dPAmpBiVHY.

von Oldenburg, Helene and Reiche, Claudia. “The Mars Patent.” The Mars Patent, http://www.mars-patent.org/. Accessed 3 June 2018.